Below is a summary of the key of G major. A key is defined when we create chords from a scale by stacking thirds on top of one another. A third spans three alphabet letters (e.g. G to B, or B to D).

The G major scale is diatonic, in that each of the seven letters of the musical alphabet appear in order, and the scale formula (the distances from one note to the next) will contain five whole steps (two frets) and two half steps (one fret). The F# in the scale is to ensure there is a whole step between the 6th and 7th scale degrees (the numbers written above the notes) and a half step from the 7th back to the tonic, G. The sound of the major scale is created by the whole-whole-half-whole-whole-whole-half sequence.

We commonly use Roman numerals to define the triad chord qualities in a key. Upper case numerals representing major triads, lower case for minor triads and the degree symbol (°) is added to the lower case numeral to denote a diminished triad (found on the 7th scale degree of the major scale).

Triads contain three notes, and we add an additional third above the fifth of the triad for a seventh chord. Note how not all the major triads are major 7th chords. The seventh chord created from the fifth scale degree (which can be named the ‘dominant’) will be a dominant 7th (R-3-5-b7).

The modes at the bottom are also all diatonic scales in that they will contain the same notes as the G major scale, but the tonic is a note other than G. For example, the C lydian scale would be the notes:

C LYDIAN

C-D-E-F#-G-A-B-(C)

The mode contains the same notes as the G major scale (which is often termed the ‘parent major scale’ of the mode) and so it will also contain the same chords, but the order will be different:

TRIADS OF THE LYDIAN MODE

I-II-iii-iv°-V-vi-vii

My theory course ‘Guitar Rut Busters: Essential Theory’ goes through major scale theory in detail and shows you how the chords (triads) in a key are defined. Seventh chords and modes will be coming in the next instalment!

In module 2 of ‘TRIADS: Inside Out’ we are taking the triad inversions that were learnt in the first module and applying them to the chords in a key to be able to play through any diatonic major chord progression.

Chords scales (playing up through the diatonic chords in the scale) is a super useful exercise to learn chord shapes and how they relate to one another. You can do this with triads, barre chords, seventh chords etc. We are, of course, focusing upon triads at the moment. Rather than climbing up the neck horizontally with the chord scale (which is the most common approach, keeping the triads in the same inversion) we are playing through the chord scale within one particular area of the fretboard. I like to call these ‘segments’, so here is an example playing through the first segment in the key of G major, keeping it all between the 2nd and 5th fret of the guitar.

Module 2 goes through these chord scales in all the different segments of the fretboard and demonstrates how you can use that to quickly add a guitar part to a chord progression. You can find out more about the course and sign up by hitting the button below:

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